Five colours, one relief
Relief No.1 started as a single pale panel. Splitting it into five pigmented modules meant five small moulds instead of one large one — cheaper tooling, a lighter carton, and an object the buyer can rearrange.
Journal
Notes from the atelier: material tests, colour releases, projects going in, and what we learned crating them.
Relief No.1 started as a single pale panel. Splitting it into five pigmented modules meant five small moulds instead of one large one — cheaper tooling, a lighter carton, and an object the buyer can rearrange.
The first Tide prototype was beautiful and shipped four to a container. Two weeks of nesting studies later it ships sixteen. Nothing about the silhouette changed except where the shell curls.
Three shells, one steel core, and a parting line hidden inside a fold. Notes on how we planned the mould flanges so the reception desk reads as a single poured surface.
What an aggregate-loaded coat can and cannot imitate. Where it convinces at arm's length, where it does not, and why we stopped calling anything marble.